The next floor covered he medieval
period, from the Anglo-Norman conquest of Ireland (which included the introduction of the rabbit) through Henry VIII. Again,
the environments were splendid and hands-on activities and reproduction
artifacts made the 13th century Fair, 14th century plague
and violent death room, and model merchant’s house interesting and
accessible to all.
Dublinia is housed in the former
church of St. Michael the Archangel adjacent to Christ Church Cathedral http://christchurchcathedral.ie/ ;
the medieval tower grants fantastic views over the neighborhood – including a
bird’s-eye view of the outline of a Viking house unearthed during the
excavation of Dublin’s Wood Quay.
The cathedral is actually connected
to Dublinia – a 3rd floor walkway bridges Winetavern St. and
deposits you at the welcome desk. Christ Church dates from the early 11th
century, had extensive repairs in the 16th century, and intensive
restoration in the late 19th century. It is a beautiful sacred space
with charming medieval floor tiles, the tomb of Strongbow, and a mummified cat
& rat in the crypt.
Following the service, we went down
past Trinity University to the National Gallery of Ireland http://www.nationalgallery.ie/
. Thursday is their late night when the galleries are open until 8:30. Our
primary objective here was to see Vermeer’s “Lady Writing a Letter with her
Maid”. (It is a family life goal to see all of his works.) When we did find it,
as is always the case when face to face with a Vermeer, we were blown away. The
way he painted the light and his delicate brushwork put him in a class all his
own. Photographs and reproductions cannot adequately capture a Vermeer’s
luminous quality. The collection has several other quite superb works; a
Zurbaran Immaculate Conception, an Avercamp, Rembrandt’s Rest on the Flight
into Egypt, but (in our estimation) nothing compares with Johannes!
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